by Jason M. Leggett
Ryan identifies three clear learning outcomes for the assignments for fall 2020:
| Identify the various roles, positions, duties and considerations associated with modern theatrical practice and professional theatrical production. | Discuss and define the unique characteristics of the theatrical artform, as well as its place within American society and World Cultures. | Define and recognize major periods of theatrical history and their significance. |
What I like about these outcomes is that there is a coherent whole with identifiable pieces. Theatrical history is on one end and the elements of structural history: roles, positions, duties, considerations, and characteristics can be broken down to help students see a progression and the social construction of history.
One assignment provides exploration of global themes showing students a world beyond Broadway – Hollywood; The second allows for a personal choice and exploration of identity as a construct. The culminating assignment best represents the ideals we have discussed this semester about open pedagogy:
| In groups, students will research an under-explored figure from theatre history, review the corresponding Wikipedia entries and offer edits/additions to those entries. |
| Students will be placed into groups of 3-4 students.From a list provided by the professor, students will select a woman or non-binary theatre artist from theatre history whose Wikipedia entry is underwritten. Through online and textual research, students will identify one major theatrical contribution that has been omitted from the relevant Wikipedia entries and offer a new written passage for possible inclusion. Students will present the passage to class, along with appropriate secondary source citations, and determine if/how the passage should be added to the Wikipedia page for inclusion. |
In reflection, we both examine a relationship between constructed identities and text as a representation of knowledge. I really like the kinesthetic elements in Ryan’s pieces and will try to introduce some of these into my own practice. The final trans-identity assignment provides opportunities for both rich personal exploration and dialogue with larger groups. We both utilze elements of actor network theory but in Ryan’s class students are asked to draft a script; I am intrigued by the possibilities. Ryan incorporates the theme of justice and global/diversity throughout the semester so I anticipate a wide range of narratives that reflect the positionality of our students. I appreciate that Ryan provides choice while also indicating what content is to be covered. I think this is a good balance between providing professional guidance (epistemology) and providing culturally relevant learning opportunities (pedagogy).
As a member college of AAC&U, Kingsborough has committed to diversity and global learning. As Senior Researcher Caryn Musil identiifies, “educating students for a global future is no longer elective.” The Association of American Colleges and Universities (AAC&U) has identified global knowledge, ethical commitments to individual and social responsibility, and intercultural skills as major components of a twenty-first-century liberal education. Recognizing that their graduates will work and live in an interdependent, highly diverse, fast-changing, and volatile world, an increasing number of colleges and universities are including global learning goals in their mission statements (Meacham and Gaff 2006). I think we have made progress this semester in thinking through how to reduce the gap between global learning as an ideal and the practice of it within the educational setting.


